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MELT SOP USING VOP/VEX
Melt SOP using VOP/VEX in Houdini that allows user to melt an object using a 0-1 slider
DATE
TYPE
EFFORT
Sep 2011
VOP / VEX
Individual
Melt SOP using VOP/VEX
@ open source > houdini
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An implementation of a melt SOP in Houdini that allows users to melt an object using a 0-1 slider.


How It Works

The basic idea:

1) Move the points down proportionally according to the melt amount.

2) If a point gets below the bounding box, set its Y value to the minimum Y of the bounding box, and spread the point outwards in the XZ plane. This spreading-out motion could be in a radial direction away from the centroid, or along the point’s normal

  • For an object with holes, such as a torus, using normals would be a better choice so that melted pool will spread into the holes as well.
  • For an object like a cube, spreading radially outwards from the centroid would be a better choice because the normals for each side are facing the same direction, making the spread look stretched at the corners and unnatural

Noise is added to this outward spread to give a bit of variation.

3) Lastly, we need to give the melted pool a thickness, otherwise all the faces will be at the same level and undesired flickering will occur during shading. This is done by moving the points of the pool down proportionally according to how much they are supposed to be below the bounding box. This will cause the object to go below the ground, thus we have to move ALL the points up so that the bottom of the object stays stationary at the same level.

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Files

Please consider tipping me for my open source efforts

Please obtain these files from the Houdini-SOP-Melt GitHub repository:

  • skeelMeltScript.vfl: The VEX scripted implementation of the melt effect
  • skeelMeltScript.otl: OTL file compiled from skeelMeltScript.vfl using vcc
  • skeelMelt.otl: The same effect implemented using VOP nodes (you can see the VOP network if you dive into the Skeel Melt SOP node)

skeelMeltScript.otl and skeelMelt.otl have slightly different parameters but should give you a similar melt effect.

OTLs are generated from Houdini FX 12.5.533 Apprentice.

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Installation Instructions

  • In Houdini’s main menu bar, select File > Install Digital Asset Library…
  • Select the path to the desired .otl file, then click the Accept button

If the above steps do not work for any reason (perhaps due to a different version of Houdini?), you might have to create the OTLs on your own from the .vfl file. There are two ways to do this:

1) Using command line

/path/to/vcc -l skeelMeltScripted.otl skeelMeltScripted.vfl

2) Using GUI

  • In Houdini’s main menu bar, select File > New Operator Type…
    • Operator Name: skeelMeltScripted
    • Operator Label: Skeel Melt Scripted
    • Operator Style: VEX Type
    • Network Type: Geometry Operator
    • Save To Library: /path/to/your/preferred/location/skeelMeltScripted.otl
  • In the dialog that follows, select the Code tab
  • Copy the text contents of skeelMeltScripted.vfl into the “VEX Code” space
  • Click on the “Test Compile” button to make sure that it compiles with vcc
  • Click on the Accept button to complete the operation

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Usage Instructions

  • In a SOP/Geometry context, drop in a Skeel Melt SOP
  • Connect a polygonal geometry (e.g. a Sphere SOP) to the Skeel Melt SOP, then activate the Skeel Melt SOP
  • In the Parameters pane, adjust the meltAmount slider and you should see the geometry melt in the viewport
  • Tweak the other parameters accordingly

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Important Notes

  • Only works for polygonal objects

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License

Released under The MIT License (MIT)
Copyright (c) 2011 Skeel Lee

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ABOUT ME
Skeel Lee Skeel Lee
skeel@skeelogy.com
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Worked at Wētā FX, Digital Domain 3.0, Sony Pictures Imageworks, MPC, Industrial Light & Magic (ILM), Double Negative
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I am a Technical Director with strong interests in both tech and art. My life evolves round VFX, photography, software engineering, tools programming and generally anything that looks / sounds cool.
I have done a variety of CG programming, including fluid sims, muscles, soft/rigid bodies, raytracing etc. These knowledge complement the visual works that I do as a TD in VFX.
I was interviewed by The Straits Times in May 2014 for my VFX work in X-Men: Days of Future Past.